"Philip Frey’s 'Slip of Light' is simply one of those paintings that looks like it fell off the brush. It’s an urban scene of no particular note, but this only lets us better see the brushwork, which is about as good as it gets. (If, however, you unravel the composition from the yellow at the base of the statue, the scene spirals open with a dazzling structural brilliance; however, this takes a few passes.) Every stroke feels both alive and perfectly in its place. It’s a new high water mark. Frey is an excellent painter, but 'Slip of Light' feels inspired beyond the norm." Daniel Kany, Greenhut's Biennial 'Portland Show' Sets a Standard, Portland Press Herald, 2016)
Mindful of every brush stroke, Maine painter Philip Frey finds solace in landscape, Emily Burnham. Bangor Daily News, 2016
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